<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE ArticleSet PUBLIC "-//NLM//DTD PubMed 2.7//EN" "https://dtd.nlm.nih.gov/ncbi/pubmed/in/PubMed.dtd">
<ArticleSet>
<Article>
<Journal>
				<PublisherName>Shahid Beheshti University</PublisherName>
				<JournalTitle>Soffeh</JournalTitle>
				<Issn>1683-870X</Issn>
				<Volume>29</Volume>
				<Issue>1</Issue>
				<PubDate PubStatus="epublish">
					<Year>2019</Year>
					<Month>03</Month>
					<Day>21</Day>
				</PubDate>
			</Journal>
<ArticleTitle>An Evaluation of the Hidden Curriculum of Architecture Course based on Islamic Ethics</ArticleTitle>
<VernacularTitle>An Evaluation of the Hidden Curriculum of Architecture Course based on Islamic Ethics</VernacularTitle>
			<FirstPage>5</FirstPage>
			<LastPage>20</LastPage>
			<ELocationID EIdType="pii">100457</ELocationID>
			
<ELocationID EIdType="doi">10.29252/soffeh.29.1.5</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Hadi</FirstName>
					<LastName>Shahamat</LastName>
<Affiliation>Faculty of Architecture and Urban Planning, Tabriz Islamic Art University</Affiliation>
<Identifier Source="ORCID">0000-0003-2418-9090</Identifier>

</Author>
<Author>
					<FirstName>Hamid</FirstName>
					<LastName>Nadimi</LastName>
<Affiliation>Professor, Faculty of Architecture and Urban Planning, Shahid Beheshti University</Affiliation>
<Identifier Source="ORCID">0000-0001-7053-4022</Identifier>

</Author>
<Author>
					<FirstName>Minou</FirstName>
					<LastName>Gharehbaglou</LastName>
<Affiliation>Associate Professor, Faculty of Architecture and Urban Planning, Tabriz Islamic Art University</Affiliation>

</Author>
<Author>
					<FirstName>Ensi</FirstName>
					<LastName>Keramati</LastName>
<Affiliation>Assistant Professor, Shahid Hasheminejad Campus of Mashhad, Farhangian University</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2019</Year>
					<Month>06</Month>
					<Day>22</Day>
				</PubDate>
			</History>
		<Abstract>&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;The recognition of the hidden curriculum results from a deep insight into inner layers of pedagogy, which in turn involves varieties, complexities, with obvious and hidden dimensions. The present research aims to explore important, recurrent factors in the hidden curriculum, and examine possibilities for their improvements using the Islamic practical ethics. It uses two research methods, starting with quantitative content analysis of 25 researches on the topic. A series of five recurrent factors are thus identified: power hierarchies, unhealthy competition, ambiguity of the tutor’s didactic procedures, unreality of designs, and the preference of the visual product over the process. A descriptive-analytic approach is then adopted to explain and evaluate these factors based on quintuple realms of human existence. Taken from the Islamic ethical order, these realms in turn comprise of three internal realms of beliefs, emotions and will on one hand, and two external realms of utterance and action on the other. The results show the possibility of practical approaches based on the Islamic ethical order for all three parties involved in the school – students, tutors, staff – the implementation of which would make grounds for ethical reforms and improvements of the hidden curriculum.&lt;/span&gt;</Abstract>
			<OtherAbstract Language="FA">&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;The recognition of the hidden curriculum results from a deep insight into inner layers of pedagogy, which in turn involves varieties, complexities, with obvious and hidden dimensions. The present research aims to explore important, recurrent factors in the hidden curriculum, and examine possibilities for their improvements using the Islamic practical ethics. It uses two research methods, starting with quantitative content analysis of 25 researches on the topic. A series of five recurrent factors are thus identified: power hierarchies, unhealthy competition, ambiguity of the tutor’s didactic procedures, unreality of designs, and the preference of the visual product over the process. A descriptive-analytic approach is then adopted to explain and evaluate these factors based on quintuple realms of human existence. Taken from the Islamic ethical order, these realms in turn comprise of three internal realms of beliefs, emotions and will on one hand, and two external realms of utterance and action on the other. The results show the possibility of practical approaches based on the Islamic ethical order for all three parties involved in the school – students, tutors, staff – the implementation of which would make grounds for ethical reforms and improvements of the hidden curriculum.&lt;/span&gt;</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Hidden Curriculum</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Architecture Discipline</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Human Existential Realms</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">the Islamic Practical Ethics</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://soffeh.sbu.ac.ir/article_100457_33acf564f7e3226b280213d631b852a9.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Shahid Beheshti University</PublisherName>
				<JournalTitle>Soffeh</JournalTitle>
				<Issn>1683-870X</Issn>
				<Volume>29</Volume>
				<Issue>1</Issue>
				<PubDate PubStatus="epublish">
					<Year>2019</Year>
					<Month>03</Month>
					<Day>21</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Design Errors in Construction Projects: The Meaning, Reasons, Consequences and Solutions</ArticleTitle>
<VernacularTitle>Design Errors in Construction Projects: The Meaning, Reasons, Consequences and Solutions</VernacularTitle>
			<FirstPage>21</FirstPage>
			<LastPage>34</LastPage>
			<ELocationID EIdType="pii">100455</ELocationID>
			
<ELocationID EIdType="doi">10.29252/soffeh.29.1.21</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Mohammadreza</FirstName>
					<LastName>Hafezi</LastName>
<Affiliation>Associate Professor, Faculty of Architecture and Urban Planning, Shahid Beheshti University</Affiliation>

</Author>
<Author>
					<FirstName>Mojtaba</FirstName>
					<LastName>Hsseinalipour</LastName>
<Affiliation>Assistant Professor, Faculty of Architecture and Urban Planning, Shahid Beheshti University</Affiliation>

</Author>
<Author>
					<FirstName>Seyed Pooyan</FirstName>
					<LastName>Ghafoori</LastName>
<Affiliation>MSc, Project Management and Construction, Shahid Beheshti University</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2019</Year>
					<Month>06</Month>
					<Day>22</Day>
				</PubDate>
			</History>
		<Abstract>  &lt;br /&gt;&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;Designers are the foremost producers of data required in construction projects. Most design issues involve restrictions and requirements whose neglect by designers results in design errors. All construction projects, therefore, face errors whose management will contribute in the project’s success. Hence, it is necessary to study these errors, their generators, and their consequences. Of most significant consequences of errors are time extensions, re-work costs, and waste of resources. These are most importantly caused by miscommunications between design and execution teams. The present research uses library studies to initially identify and classify design errors, and then moves on to study contributing factors and their consequences. In conclusion, a series of the best management approaches are presented, including building information modelling, which is one of the most efficient ones.&lt;/span&gt; &lt;br /&gt;&lt;span style=&quot;color: black; font-family: &#039;B Mitra&#039;; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: MyriadPro-Regular; font-size: xx-small;&quot;&gt; &lt;/span&gt;&lt;/span&gt;</Abstract>
			<OtherAbstract Language="FA">  &lt;br /&gt;&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;Designers are the foremost producers of data required in construction projects. Most design issues involve restrictions and requirements whose neglect by designers results in design errors. All construction projects, therefore, face errors whose management will contribute in the project’s success. Hence, it is necessary to study these errors, their generators, and their consequences. Of most significant consequences of errors are time extensions, re-work costs, and waste of resources. These are most importantly caused by miscommunications between design and execution teams. The present research uses library studies to initially identify and classify design errors, and then moves on to study contributing factors and their consequences. In conclusion, a series of the best management approaches are presented, including building information modelling, which is one of the most efficient ones.&lt;/span&gt; &lt;br /&gt;&lt;span style=&quot;color: black; font-family: &#039;B Mitra&#039;; font-size: small;&quot;&gt;&lt;span style=&quot;font-family: MyriadPro-Regular; font-size: xx-small;&quot;&gt; &lt;/span&gt;&lt;/span&gt;</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Design Errors</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Design Error Management</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Design Error Factors</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Consequences of Design Errors</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://soffeh.sbu.ac.ir/article_100455_36095704aa843034b2aff6969cbf5a9b.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Shahid Beheshti University</PublisherName>
				<JournalTitle>Soffeh</JournalTitle>
				<Issn>1683-870X</Issn>
				<Volume>29</Volume>
				<Issue>1</Issue>
				<PubDate PubStatus="epublish">
					<Year>2019</Year>
					<Month>03</Month>
					<Day>21</Day>
				</PubDate>
			</Journal>
<ArticleTitle>The Relation between Building Height and Construction Costs in 1 to 50- Storey Residential Buildings</ArticleTitle>
<VernacularTitle>The Relation between Building Height and Construction Costs in 1 to 50- Storey Residential Buildings</VernacularTitle>
			<FirstPage>35</FirstPage>
			<LastPage>51</LastPage>
			<ELocationID EIdType="pii">100456</ELocationID>
			
<ELocationID EIdType="doi">10.29252/soffeh.29.1.35</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Hesamoddin</FirstName>
					<LastName>Zarian</LastName>
<Affiliation>MSc, Construction Technology, Faculty of Architecture and Urban Planning, Shahid Beheshti University</Affiliation>

</Author>
<Author>
					<FirstName>Mohammad</FirstName>
					<LastName>Tahsildoost</LastName>
<Affiliation>Assistant Professor, Faculty of Architecture and Urban Planning, Shahid Beheshti University</Affiliation>
<Identifier Source="ORCID">0000-0002-9016-9429</Identifier>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2019</Year>
					<Month>06</Month>
					<Day>22</Day>
				</PubDate>
			</History>
		<Abstract>&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;The engineering advances in various fields including construction, along with changes in municipal and national policies against urban sprawl have strengthened the case for high-rise developments particularly in metropolitan areas. This is particularly significant when it comes to urban development and policy making.&lt;/span&gt; &lt;br /&gt;&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;Taken from an MSc dissertation of the same title, the present paper studies the relation between the number of storeys and construction costs. In order to do so, quantitative data collected from suppliers and contractors of various projects, as well as interviews with experts have been used in the subsequent BIM modelling.&lt;/span&gt; &lt;br /&gt;&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;Overall results show that despite commonly held views, high-rise construction costs are not necessarily higher, and that the consideration of construction costs needs to be based on respective charts for each height range. For instance, in seven, 42, and 48-storey buildings, every single extra floor results in the extra costs that turn the project from viable to non-viable. In line with the above, the suggested optimum number of floors for ordinary urban and mass developments is nine. In plots designated for high-rise developments, a 30–40 floor development is preferred. The present study focuses merely on construction costs, and does not scrutinise land prices and infrastructure costs, nor cultural and social influences on property markets.&lt;/span&gt;</Abstract>
			<OtherAbstract Language="FA">&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;The engineering advances in various fields including construction, along with changes in municipal and national policies against urban sprawl have strengthened the case for high-rise developments particularly in metropolitan areas. This is particularly significant when it comes to urban development and policy making.&lt;/span&gt; &lt;br /&gt;&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;Taken from an MSc dissertation of the same title, the present paper studies the relation between the number of storeys and construction costs. In order to do so, quantitative data collected from suppliers and contractors of various projects, as well as interviews with experts have been used in the subsequent BIM modelling.&lt;/span&gt; &lt;br /&gt;&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;Overall results show that despite commonly held views, high-rise construction costs are not necessarily higher, and that the consideration of construction costs needs to be based on respective charts for each height range. For instance, in seven, 42, and 48-storey buildings, every single extra floor results in the extra costs that turn the project from viable to non-viable. In line with the above, the suggested optimum number of floors for ordinary urban and mass developments is nine. In plots designated for high-rise developments, a 30–40 floor development is preferred. The present study focuses merely on construction costs, and does not scrutinise land prices and infrastructure costs, nor cultural and social influences on property markets.&lt;/span&gt;</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Relation between Costs and Height</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">High-Rise Development</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Affordable housing</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Construction Economy</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Construction Management</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://soffeh.sbu.ac.ir/article_100456_18b336730bf0a5169a5dea563e491193.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Shahid Beheshti University</PublisherName>
				<JournalTitle>Soffeh</JournalTitle>
				<Issn>1683-870X</Issn>
				<Volume>29</Volume>
				<Issue>1</Issue>
				<PubDate PubStatus="epublish">
					<Year>2019</Year>
					<Month>03</Month>
					<Day>21</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Explaining the influence of Urban Elements on the Legibility of Mental Urban Image Using Eye Tracking Software</ArticleTitle>
<VernacularTitle>Explaining the influence of Urban Elements on the Legibility of Mental Urban Image Using Eye Tracking Software</VernacularTitle>
			<FirstPage>53</FirstPage>
			<LastPage>72</LastPage>
			<ELocationID EIdType="pii">100458</ELocationID>
			
<ELocationID EIdType="doi">10.29252/soffeh.29.1.53</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Sepideh</FirstName>
					<LastName>Aslani</LastName>
<Affiliation>MSc. Roozbeh Institute of Higher Education, Zanjan</Affiliation>

</Author>
<Author>
					<FirstName>Zohreh Torabi</FirstName>
					<LastName>Torabi</LastName>
<Affiliation>Assistant Professor, Faculty of Technology and Engineering, Islamic Azad University, Zanjan Branch</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2019</Year>
					<Month>06</Month>
					<Day>22</Day>
				</PubDate>
			</History>
		<Abstract>&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;Present-day technologies have necessitated the legibility and mental wellbeing of urban environments. This is particularly of note in places of tourism and pilgrimage attraction, with the distance between urban nodes influencing people’s decision where to live. The present research acknowledges the influence of urban elements on legibility based on users’ opinion, library and applied studies, and statistical analyses. Among objectives are a study of satisfaction and mental wellbeing resulted from the sense of legibility and security, and their effect on choosing living places. Eye-tracking software is used here for location-finding and spotting urban nodes. The research offers optimised design methods for urban elements and nodes, and also explores the relation between neurosciences and environmental sciences. It is hoped that this will play a role in improving both physical and mental aspects of urban design, and prompt other researchers to further explore the relation between neurosciences and urbanism.&lt;/span&gt;</Abstract>
			<OtherAbstract Language="FA">&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;Present-day technologies have necessitated the legibility and mental wellbeing of urban environments. This is particularly of note in places of tourism and pilgrimage attraction, with the distance between urban nodes influencing people’s decision where to live. The present research acknowledges the influence of urban elements on legibility based on users’ opinion, library and applied studies, and statistical analyses. Among objectives are a study of satisfaction and mental wellbeing resulted from the sense of legibility and security, and their effect on choosing living places. Eye-tracking software is used here for location-finding and spotting urban nodes. The research offers optimised design methods for urban elements and nodes, and also explores the relation between neurosciences and environmental sciences. It is hoped that this will play a role in improving both physical and mental aspects of urban design, and prompt other researchers to further explore the relation between neurosciences and urbanism.&lt;/span&gt;</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Urban Elements</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Legibility</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Mental Image</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Eye Tracking</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Zanjan City</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://soffeh.sbu.ac.ir/article_100458_3ca733748500a373babefe8c2caf8817.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Shahid Beheshti University</PublisherName>
				<JournalTitle>Soffeh</JournalTitle>
				<Issn>1683-870X</Issn>
				<Volume>29</Volume>
				<Issue>1</Issue>
				<PubDate PubStatus="epublish">
					<Year>2019</Year>
					<Month>03</Month>
					<Day>21</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Comparison of Geometry and Drawing Method of Karbandi Vault
Samples 10,12,14,16- sided Karbandis</ArticleTitle>
<VernacularTitle>Comparison of Geometry and Drawing Method of Karbandi Vault
Samples 10,12,14,16- sided Karbandis</VernacularTitle>
			<FirstPage>73</FirstPage>
			<LastPage>91</LastPage>
			<ELocationID EIdType="pii">100459</ELocationID>
			
<ELocationID EIdType="doi">10.29252/soffeh.29.1.73</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Shahrzad</FirstName>
					<LastName>Aine-chi</LastName>
<Affiliation>PhD.Student, Faculty of Conservation and Restoration, Art University of Isfahan</Affiliation>

</Author>
<Author>
					<FirstName>Nima</FirstName>
					<LastName>Vali-Beig</LastName>
<Affiliation>Assistant Professor, Faculty of Conservation and Restoration, Art University of Isfahan</Affiliation>
<Identifier Source="ORCID">0000-0002-7562-0701</Identifier>

</Author>
<Author>
					<FirstName>Farhad</FirstName>
					<LastName>Tehrani</LastName>
<Affiliation>Associate Professor, Faculty of Architecture and Urban Planning, Shahid Beheshti University</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2019</Year>
					<Month>06</Month>
					<Day>22</Day>
				</PubDate>
			</History>
		<Abstract>&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;The study of drawing methods is one for classification of geometrical theories of rib-works (karbandi’s) based on rectangles. The analysis of similarities and differences can reveal general and particular geometric structures of these karbandi’s. Comparative studies offer methods to analyse how and why there are underlying similarities between rectangular karbandi’s despite apparent differences. Various drawing methods are widely discussed by traditional Persian-speaking designers. However, drawings methods have not yet been used for comparative studies classifying theoretical geometries of rectangular bases. The present paper studies rectangular bases. Two widely used examples of square and non-square rectangular bases are selected in order to analyse and compare various drawing techniques and their associated views. The results show Pirnia’s and Bozorgmehri’s methods’ errors when it comes to rectangles in comparison with others’, that She’rbaf and Lorzadeh have not talked about karbandi bases and proportions, and that Pirnia’s method is more practical compared with others’, and easily executable through traditional means. It is also shown that Pirnia’s and Bozorgmehri’s methods are more easily applicable to larger numbers of karbandi’s. &lt;/span&gt;</Abstract>
			<OtherAbstract Language="FA">&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;The study of drawing methods is one for classification of geometrical theories of rib-works (karbandi’s) based on rectangles. The analysis of similarities and differences can reveal general and particular geometric structures of these karbandi’s. Comparative studies offer methods to analyse how and why there are underlying similarities between rectangular karbandi’s despite apparent differences. Various drawing methods are widely discussed by traditional Persian-speaking designers. However, drawings methods have not yet been used for comparative studies classifying theoretical geometries of rectangular bases. The present paper studies rectangular bases. Two widely used examples of square and non-square rectangular bases are selected in order to analyse and compare various drawing techniques and their associated views. The results show Pirnia’s and Bozorgmehri’s methods’ errors when it comes to rectangles in comparison with others’, that She’rbaf and Lorzadeh have not talked about karbandi bases and proportions, and that Pirnia’s method is more practical compared with others’, and easily executable through traditional means. It is also shown that Pirnia’s and Bozorgmehri’s methods are more easily applicable to larger numbers of karbandi’s. &lt;/span&gt;</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Theoretical Geometries</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Karbandi</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Drawing Error</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Documented Drawing Methods</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://soffeh.sbu.ac.ir/article_100459_0d177339ce194e95a7b3aa7a5e70a20b.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Shahid Beheshti University</PublisherName>
				<JournalTitle>Soffeh</JournalTitle>
				<Issn>1683-870X</Issn>
				<Volume>29</Volume>
				<Issue>1</Issue>
				<PubDate PubStatus="epublish">
					<Year>2019</Year>
					<Month>03</Month>
					<Day>21</Day>
				</PubDate>
			</Journal>
<ArticleTitle>An Explanation of Design Principles of Illumination Systems in Historical Places</ArticleTitle>
<VernacularTitle>An Explanation of Design Principles of Illumination Systems in Historical Places</VernacularTitle>
			<FirstPage>93</FirstPage>
			<LastPage>108</LastPage>
			<ELocationID EIdType="pii">100460</ELocationID>
			
<ELocationID EIdType="doi">10.29252/soffeh.29.1.93</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>GholamReza</FirstName>
					<LastName>Kiani Dehkiani</LastName>
<Affiliation>Assistant Professor, Faculty of Conservation and Restoration, Art University of Isfahan</Affiliation>

</Author>
<Author>
					<FirstName>Marzieh</FirstName>
					<LastName>Safari HassanAbadi</LastName>
<Affiliation>MA, Conservation and Restoration, Art University of Isfahan</Affiliation>
<Identifier Source="ORCID">0009-0002-8436-1606</Identifier>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2019</Year>
					<Month>06</Month>
					<Day>22</Day>
				</PubDate>
			</History>
		<Abstract>&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;Despite the more than half-a-century long history of scientific conservation and restoration of monuments in Iran, the lighting and illumination of monuments is still missing from the discipline’s curriculum, with few instances of appropriate lighting in historical spaces, and the ones with lighting design using inconsistent, arbitrary methods designed at best by electrical engineers without due care to the value of historical spaces, and with mere provision of light as the only aim. A familiarity with lighting design and mastering the pros and cons of lighting equipment and the right choice in keeping with the historical heritage is of utmost importance. In order to achieve necessary results, a principled approach towards lighting design should be seen as crucial. The question here is one of the principles behind the design and implementation of lighting in historical monuments. The present research adopts a prescriptive approach, using a descriptive-analytic method based on library studies and observations, and based on optics and the structural and spatial characteristics of traditional Iranian architecture. The findings suggest that to achieve appropriate lighting in historic spaces, four stages of study, design, implementation and maintenance need to be considered, each with its own particularities.&lt;/span&gt;</Abstract>
			<OtherAbstract Language="FA">&lt;span style=&quot;color: black; font-family: &#039;Calibri Light&#039;; font-size: large;&quot;&gt;Despite the more than half-a-century long history of scientific conservation and restoration of monuments in Iran, the lighting and illumination of monuments is still missing from the discipline’s curriculum, with few instances of appropriate lighting in historical spaces, and the ones with lighting design using inconsistent, arbitrary methods designed at best by electrical engineers without due care to the value of historical spaces, and with mere provision of light as the only aim. A familiarity with lighting design and mastering the pros and cons of lighting equipment and the right choice in keeping with the historical heritage is of utmost importance. In order to achieve necessary results, a principled approach towards lighting design should be seen as crucial. The question here is one of the principles behind the design and implementation of lighting in historical monuments. The present research adopts a prescriptive approach, using a descriptive-analytic method based on library studies and observations, and based on optics and the structural and spatial characteristics of traditional Iranian architecture. The findings suggest that to achieve appropriate lighting in historic spaces, four stages of study, design, implementation and maintenance need to be considered, each with its own particularities.&lt;/span&gt;</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Lighting Design</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Historical Spaces</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Lighting Systems</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://soffeh.sbu.ac.ir/article_100460_2553235e93aab117d388eb62aff185c0.pdf</ArchiveCopySource>
</Article>

<Article>
<Journal>
				<PublisherName>Shahid Beheshti University</PublisherName>
				<JournalTitle>Soffeh</JournalTitle>
				<Issn>1683-870X</Issn>
				<Volume>29</Volume>
				<Issue>1</Issue>
				<PubDate PubStatus="epublish">
					<Year>2019</Year>
					<Month>03</Month>
					<Day>21</Day>
				</PubDate>
			</Journal>
<ArticleTitle>The Necessity of Restoration for the Continuity of Architecture and Urbanism Culture</ArticleTitle>
<VernacularTitle>The Necessity of Restoration for the Continuity of Architecture and Urbanism Culture</VernacularTitle>
			<FirstPage>109</FirstPage>
			<LastPage>117</LastPage>
			<ELocationID EIdType="pii">100564</ELocationID>
			
<ELocationID EIdType="doi">10.29252/soffeh.29.1.109</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Asghar</FirstName>
					<LastName>Mohammad Moradi</LastName>
<Affiliation>Professor, School of Architecture and Environmental Design, Iran University of Science and Technology</Affiliation>

</Author>
<Author>
					<FirstName>Seyed Mahdi</FirstName>
					<LastName>Mojabi</LastName>
<Affiliation>School of Architecture and Environmental Design, Iran University of Science and Technology</Affiliation>

</Author>
<Author>
					<FirstName>Atssa Amir Kabirian</FirstName>
					<LastName>Amir Kabirian</LastName>
<Affiliation>PhD Candidate, School of Architecture and Environmental Design, Iran University of Science and Technology</Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2021</Year>
					<Month>01</Month>
					<Day>10</Day>
				</PubDate>
			</History>
		<Abstract>Based on the evidence from the past, the interactions between humans and their environment has always had a cultural aspect to it. This has always enjoyed a suitable degree of relevance to people’s prevailing thoughts, culture and instincts throughout the history of Iran, particularly in the Islamic era. Evidence suggests that restoration and conservation has always been the mainstream in Iran and not confined to any particular area or environment. Such wisdom can be applied more influentially to architecture and urbanism pedagogy. &lt;br /&gt;The methodology presented in this study is the result of a 35-year long inquiry and research in the field of history of architecture and urbanism in Iran. The study has certain hints to the evolution of architecture and urbanism throughout this history, in the hope that it will benefit the future related studies. Objectives here include tracing historical experiences, in order to gain better insights for new developments.</Abstract>
			<OtherAbstract Language="FA">Based on the evidence from the past, the interactions between humans and their environment has always had a cultural aspect to it. This has always enjoyed a suitable degree of relevance to people’s prevailing thoughts, culture and instincts throughout the history of Iran, particularly in the Islamic era. Evidence suggests that restoration and conservation has always been the mainstream in Iran and not confined to any particular area or environment. Such wisdom can be applied more influentially to architecture and urbanism pedagogy. &lt;br /&gt;The methodology presented in this study is the result of a 35-year long inquiry and research in the field of history of architecture and urbanism in Iran. The study has certain hints to the evolution of architecture and urbanism throughout this history, in the hope that it will benefit the future related studies. Objectives here include tracing historical experiences, in order to gain better insights for new developments.</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">Conservation</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Restoration</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Geographic unity</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Geographic livelihood</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Sustainable development</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Order rebound</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">empowerment</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://soffeh.sbu.ac.ir/article_100564_6b6c46df3e4f1b17ae300c8b49df92cc.pdf</ArchiveCopySource>
</Article>
</ArticleSet>
